When I read that in Justin Audibert’s production the men would be played by women and the women by men I was all set to hate it. But then I thought it might be interesting. If, at the end of what Shakespeare wrote, Katerina triumphs then it might be interesting to see a production when the men triumph and I was amazed that I would be seeing an anti-feminist interpretation of the play.
That’s the great thing about live theatre. You can be completely wrong and I was wrong here on both counts.
Amanda Harris is strong and dominant as Baptista Minola and so sets the matriarchy setting firmly right from the start. The boys, Katherine (Joseph Arkley) showing a little bit of feistiness at the start and Bianco (James Cooney), established as a wimp at the start and maintaining this throughout, were nowhere as interesting as those characters played by women. Straight from a triumphant Jacques in As You Like It Sophie Stanton as Gremia is equally good here, showing off by gliding on metaphorical casters except at the end of the first half where for a single moment she realises she is defeated in her absurd quest for the juvenile Bianco. Claire Price is wonderful as Petruchia. Her character is much less obnoxious than usual and I found myself rooting for her in her task of subduing a dull Katherine. Melody Brown is also energetic and powerful as Vincentia.
Amy Trigg in her turbo charged wheelchair as Biondella is full of life and vigour. She could outsprint everyone – clever for the resourceful Biondella, whose set pieces were delivered at breakneck speed with every word audible. Charlotte Arrowsmith as the signing Curtis is as good here as she was in As You Like It and it is a great touch by Audibert not to translate what she signs. All Petruchio’s household know exactly what she is saying by her signs, even though we don’t. After all, she is talking to them.
The rest of the cast are all o.k. One thing I didn’t understand, though. The only significant character not to be gender switched is Grumio (splendidly played by Richard Clews). Why? Bill thought it might be because he was played as gay. If so I don’t approve. I don’t think gay men are women really.
There is song and dance. Indeed the play opens with a Spanish style dance. I didn’t get why it was appropriate to be Spanish but the dancing was great – better than the singing at the Preview we went to, but that might improve. You could see why Leo Wan was in it. He can sing.
There were several interesting and stimulating choices. In the sun and moon scene both Katherine and Petruchio drink water before she metaphorically baptises him. I liked the way Katherine was defiantly eating a chicken leg in his opening scene and eating another at the festivities at the end. I liked the way Petruchia kissed Katherine at the end rather than treading on her hand.
Hannah Clark’s costumes are sort of period, sumptuous, beautifully made, and full. Katherine’s wedding outfit, lit at first with black light, is stunning. Gremia’s handling and fondling of her sword was hilarious, particularly the way she wanked it at moments of stress. Petruchia’s odd boots and Grumio’s down-gyved one at the wedding scene were nice touches. I didn’t understand why Katherine didn’t have a wig, though. It certainly made her look out of place in company with these people. Can that be the purpose of it?
There’s a lot to enjoy here. Unfortunately for me it made clear the weaknesses in Shakespeare’s script. In this production it seemed obvious that Shakespeare was not interested in either Katherine or Bianco in the openings Acts they are barely characterised and have almost no motivation. I didn’t think Katherine was worth listening to before the final speech and the only characterisation of Bianco seemed to be an exaggerated walk and the tossing of his absurdly long locks. There was far too much sub-plot in the first half and I thought all the suitor for Bianco stuff was not only strung out but rather tedious. The play is about sex and money. Money was brought out well.
I think that seeing As You Like It and Taming of the Shrew as a pair is the way to do it. That experience shows off the versatility and skills of the best actors and the ways Shakespeare can be interpreted in many different ways.
Come and see them. There will be a warm welcome for you at Moss Cottage.